But his recorded pieces are inferior to many of his predecessors in respect of fluency and power, because they are all recorded in a very old age. His style has a great affinity to the old style of playing setâr. Watching a live performance of past masters, like Moshir Moazzam Afshâr, has priority over hearing his recorded legacy. He was among those who studied and practiced playing the instruments before the introduction of recording technology. It is said that he was the pupil of Darvish Khân and Abdlhasan Sabâ, but no one is certain about the quality of his studies with these two great masters. So we do not know a great deal from his life.
«He was of an ascetic character, of those people who do not seek fame through his art. Released works (Hermes Records) : Genesis» (Hermes records website) Afshar, Abdolhasan Moshir Moazan ( ) Setar Player.
He has so far performed in various solo concerts in Iran as well as abroad, and collaborated with many ensembles like the Soroush Ensemble, Faramarz Payvar Ensemble, Dalaho, Ayeneh and Massiha. In 2000, he released his first solo album, which has been re-published in France in 2001 (CDA Records). Navid, who also plays the Tar and the Setar, passed several courses in orchestration, counterpoint and harmony under the guidance of Kambiz Rowshan Ravan. The presence of his elder brother (Massih Afghah, Santur Player), helped him to find his way. His Disc: AX682, AX683, AX708, AX702, AX710, GF28, GF29, GF49, GF50 Afghah, Tonbak player Born in Shiraz, 1970 started playing the Tonbak in 1983 under the supervision of Mahmoud Farahm and Bafi at the Center of Traditional Music Heritage. The Community of "Barbad" established by close co-operation of Adib Khansari and Esmaeil Mehrtash, as a place for Theatre and Music. There are so much recorded programs that remain from those years. After Radio Tehran wa founded (1940), he was invited to be the top artists in this organization. During his stay in Tehran he had close friendship with Morteza Mahjoubi (The Piano player) and beside the Setar playing he got recognized as a radif piano player (Iranian Style) from Morteza Mahjoubi. In 1924 he went to Tehran, there he met the deceased Hussein Taher Zadeh, and also the deceased Hussein Esmaeil Zadeh. He journeyed also in Bakhtiari province while searching the style of "Lori Music in Iran". In1921 he studied with Nayeb Asadollah (The Ney Player). His instructors were the deceased Seyed Rahim (for two years), Mirza Hussein Saatsaz (for two years) and Habib Shater Hadji. When he was 18 years old, he moved to Isfahan., a famous place for musicians in the 1920 s. As well and his first music teacher was Andalib Golpaygani in Khansar. He could sing the classical Iranian poems. His nickname was Adib but his given name was Esmaeil. Adib Khansari ( ) He was born in Khansar. Abshuri traditional Sorna shawm player, kurdish Kurmanji repertoire of the kurdish from North Khorasan in the 1990 s. Cooperated with dotar player Hosein Hadidian (dotar). For 8 years of playing in groups of Teti, Khojier, Shvash, Ouya, Najma, Varesh, Teti Jar, Mahal Roja, Taraneh, Kordu Shahu traditional Varshan and research group Samaei Alborz activity and continued some of the works of three Czech, () Abidini traditional singer of the khorasani repertoire (Kashmar, Torbat e heidriyeh).
Shahrivar 79 (1999) First Prize as the top player of century-festival performers His numerous groups in the province and outside the province and work, including: Group Najma, Sama, Varesh, eager faith, Taraneh, Mah Teti, Roja, traditional Varshan, Shavash group that is a member for 8 years and has continued his association with other groups. Beloved, now led by the instrumental group and the group headed by Professor MohsenPour Shavash's activities. Tibi spent on master tapes and music theory with Professor Ismaili came to a Lotfollah Seifi. In 1364/1985, his father started the construction Laleva make additional Nmvd.dvrh with ust. Date of Birth: 01 Persian date Farvardin 1354/1975. Revivalist of Qarneh pipe with Lotfollah Seyfi. Abdollahi Sangdehi Sorna, qarneh player from Mazandaran. Cooperated with Payvar ensemble, Davod Varzideh (ney) and Mohammad Delnavazi (barbat). 1 Version 9.0 Dec PERSIAN MUSICIANS DIRECTORYĢ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA Abbas Nia traditional Dosazeh ( twin reed pipe) player of the khorasani repertoire (Kashmar) in the 1990 s.
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